Wechsler,R. and Acitores, A.P., Motion Tracking: a Music and Dance Tool for People with Cerebral Palsy. 2010. publication pending. pdf
Wechsler, R. Some Thoughts on Music, Movement and Motion Tracking in Education and Therapy. 2011 pdf
The Bending Line, or, The Search for Non-discrete Mappings in Interactive Performance, a talk delivered at Colloquium Kultur und Digitalisierung, L'arc Romainmotier, Switzerland, May 27, 2010. In German, in English.
Acitores, A.P.; Wechsler, R., "DANZA INTERACTIVA CON NIÑOS PARÁLISIS CEREBRAL, XXVII Congreso de la Asociación Española de Logopedia, Foniatría y Audiología, 7, 8 y 9 de julio de 2010, Valladolid, Spain. pdf
Mappings -- applying the lessons of motion tracking. An open letter to musical collaborators. July 2009. pdf
Wechsler, R., "Motion Tracking -- a practical guide for performing
artists", an unplublished interactive book. 2008. sample
Wechsler, R., Artistic Considerations in the Use of Motion Tracking with
Live Performers: a Practical Guide", a chapter in the book: "Performance
and Technology: Practices of Virtual Embodiment and Interactivity"
edited by Susan Broadhurst and Josephine Machon, Palgrove Macmillian,
2006. pdf
Dowling, P., Wechsler, R., Weiss; "EyeCon -- a motion sensing tool
for creating interactive dance, music and video projections", Proceedings:
The Society for the Study of Artificial Intelligence and the Simulation
of Behaviour (SSAISB)'s convention: Motion, Emotion and Cognition at University
of Leeds, England, March, 2004. pdf
Wechsler, R., "Why go to College?" Dance Magazine, May
2005. pdf
Wechsler, R., Weiss, F., "Motion Sensing for Interactive Dance",
IEEE-Pervasive Computing, Mobile and Ubiquitous Systems, Jan-March 2004.
pdf
Rovan, B., Weiss, F. and Wechsler, R., "Seine hohle Form: a project
report. Artistic Collaboration in an Interactive Dance and Music Performance
Environment:,"COSIGN 2001 -- 1st International Conference on COMPUTATIONAL
SEMIOTICS IN GAMES AND NEW MEDIA, Amsterdam. pdf
Rovan, B. and Wechsler, R., "The multi-dimensional mapping of movement-to-sound
within an integrated Eyecon and Max Environment. Performance of "Seine
Hohle Form…" (2000). ", 10e Symposium International des
Arts Électroniques, Paris, December 2000.
Menicacci, A., Wechsler, R., et al.; "Danza e nuove tecnologie";
Ufficio Cultura, Provincia Autonoma di Bolzano Alto, Bozano, Italy, May
2000.
Wechsler, R. and Zwiauer, H., "Les ordinateurs et la danse: retour
vers l'avenier?", Nouvelles de Danse, 40/41, Winter 99. pdf
Wechsler, R. and Zwiauer, H., "Computer und Tanz", Der Tanz
der Dinge, Nr. 41 Herbst, 1998. pdf
Wechsler, R., "Computers and Dance: Back to the Future?, Dance Research
Journal, Spring 1998. (Auch verfügbar auf deutsch.)
Wechsler, R., "Computer im Tanz: Medium oder Werkzeug?", Ballett
International, 8/9, August 1997.
Wechsler, R., "O Body Swayed to Music... (and vise versa)",
Leonardo Magazine, Fall 1997. pdf
Wechsler, R., "Computers and Art: a Dancer's Perspective", IEEE
Technology and Society Magazine, Fall 1997.
Wechsler, R., "Analysis of "reversals" in the Cunningham
Dance Technique. Issues concerning the perception of symmetry in dance",
IDAT 1995, Proceedings of the first International Dance and Technology
Conference, Vancouver, Canada, 1995. pdf
Wechsler, R., "Symmetrie und Tanz" Tanz Aktuell, Berlin, December
1988. pdf
Wechsler, R., "Symmetry in Dance", Contact Quarterly, Spring
1985. pdf
Wechsler, R., "The Choreography of Edvard Munch", Dance Magazine,
New York, May 1984.